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If you don’t have an account, you can create it here. If you already have an account, sign in with Google, Facebook, Microsoft, Apple, or your email and password. Your download links will be waiting for you in your Skylum account Still don’t see Luminar AI in your account? Our support team will help you with that. After that, please go to the inbox of your new email address and verify your email.Ĭongratulations! You’ve activated Luminar AI. Android emulator mac 10.13 software#If you have a Skylum account, but purchased Luminar AI using an email address not tied to it, you can merge your accounts into one in the My Software tab > Link my licenses section of your Skylum account. You can sign up with a Facebook, Google, Microsoft, or Apple account, or you can sign up using your email and a password. If you don’t have a Skylum account, click Register and create a Skylum Account. If you already have a Skylum account, sign in with a linked Google, Facebook, Microsoft, or Apple account, or sign in with your email and password. Use that email to log in to your Skylum Account or, if needed, create a new Skylum Account tied to that email address. NOTE: Your Luminar AI purchase is linked to the billing email address you provided. When you start Luminar AI, you’ll see a window that prompts you to log in to your Skylum Account. Now you may activate Luminar AI directly from your account.īy default, all our software launches in trial mode when you first open it. There’s no need to remember your license number in order to use Luminar AI. With Luminar AI we made the activation process easier and faster for you. Photograph: West Mercia Police/AFP via Getty Images Some of the treasures, believed to be Anglo-Saxon, that were discovered in the biggest nighthawking case in British history, involving George Powell and Layton Davies. If your find is significant, you may be in line for financial compensation from the treasure valuation committee. If you find treasure – gold or silver – you have to report it. In England and Wales, you need permission from the landowner to go metal-detecting, unless the site is historically protected, in which case all metal-detecting is illegal. All objects found must be reported within two weeks. In Northern Ireland, it is illegal to remove any archaeological items from the ground without the landowner’s written consent. After all, who can police all the fields in the country? the data we have got suggests it is increasing, but that may be because more attention is paid to it now.” In other words, we simply do not know, because most nighthawkers tend to get away with it. According to Nicholas, “The data is really bad on it. “I am not seeing more cases in my in-tray,” says the former policeman. But Mark Harrison, who heads Historic England’s nighthawking investigations, is not so sure. “I think it is going up, as metal-detecting equipment becomes cheaper and more easily available, and more people take up the hobby,” says Sgt Rob Simpson of Cheshire police’s rural crime team. Those tasked with fighting this crime also disagree on whether it is increasing. Nighthawkers have targeted some of our most famous historical sites, including Hadrian’s Wall and Old Sarum in Dorset. A 2010 report from Historic England, however, hints at how widespread the crime may really be: 17% of the farmers it had surveyed had been afflicted by nighthawks. “At the end of the day, it’s just a hole in a field,” says Dr Louise Nicholas, an expert on heritage crime at Loughborough University. Many simply mark it as theft, or trespass, while many cases are never reported because it is impossible to say what has been taken. There is no marker on the national police database for the crime, so police forces vary in how they record it (although there is one for nighthawking on scheduled monuments). A HISTORY OF ARCHAEOLOGICAL THOUGHT PDF TO JPG FULLNo one knows the full extent of nighthawking in the UK, or whether it is increasing. Wilson had just caught two nighthawkers in the act – or she would have, had they not scarpered. Wilson took their details and went to check with the landowner. The men claimed they thought metal-detecting was a form of permitted exercise (it was not), and said that they had been given permission by the landowner. Wilson asked the men if they had permission to metal-detect there and if they realised they were breaking the lockdown rules. A week earlier, on 20 April, PCSO Sarah Wilson of Cheshire police’s rural crime team was on a routine patrol when she noticed two men metal-detecting in a stream in the village of Wildboarclough. The Gray Hill nighthawking was discovered by Gwent police on 6 May. But we know what they were doing: nighthawking, illegally metal-detecting for historic artefacts, to be kept for personal collections or sold on the black market for private gain.Įven the coronavirus lockdown did not stop nighthawkers. No one knows what they stole that day and no one knows how they came to be there Gray Hill is not a place you happen upon by chance. They dug four large holes, pocketing whatever they found, replaced the turf and disappeared. Stealthily, they beep-beeped their way across the scrubland, metal detectors in hand. Here, if the weather is clear, you can look out towards the Severn estuary.īut these people – there was probably more than one of them – were not here to enjoy the view, but to commit a crime. From here, it is a stiff, scrambling climb up Gray Hill, towards a cluster of ancient standing stones that loom out of scrubland like broken teeth. It was probably early morning when the car pulled up at a wooden fence, on which were carved the words “GRAY HILL, COMPTON”. They turned off the main road and drove a quarter of a mile down a single track dark with trees, past the occasional house and fields of rolling countryside. Only their equipment would have given them away: metal detectors, a shovel and a spade, that they humped uncomfortably up a vertiginous path. I f you had seen them, you might have thought they were ramblers or dog walkers – locals snatching some fresh air as the nation hunkered indoors during lockdown.
But I immediately just ignored that because WHAT THE HELL IS DARWIN?! So, I skip to just downloading the PearPC 0.5 source archive for Unix (e.g. PearPC recommends installing Darwin as your client OS (the OS running inside the emulation software) first, to properly partition and format your virtual hard disk (the fake hard drive the emulator will use to make the OS think it’s being installed directly on to a piece of hardware). #VIRTUAL MAC EMULATOR FOR WINDOWS INSTALL#I’ll be trying to install OSX Tiger (10.4) in PearPC, as we still have a couple original installation discs for Tiger still lying around the department, and Apple install discs are otherwise hard to come by (if you don’t like going to/supporting super dubious torrent sites, or buying overly expensive copies off Amazon). Instead I’m going to use PearPC, an old PowerPC architecture emulator (it hasn’t been updated since 2011), but one with some solid documentation to get started. #VIRTUAL MAC EMULATOR FOR WINDOWS SOFTWARE#I eliminate using VirtualBox almost right off the bat – the makers of VirtualBox explicitly state that the software does not support PowerPC architecture, which, again, doesn’t mean it’s impossible, but it does mean that unless I magically have the same computer setup as a random YouTube user, I’m completely on my own. Note: I can’t even use some of this stuff, but it’s cluttering up my desktop anyway. So, how do I help these students get a PowerPC version of OSX on one of their (Intel Mac) laptops? Anytime we need new Mac software in the department, I try it out first on my office computer, a mid-2011 iMac running OSX 10.10.5. #VIRTUAL MAC EMULATOR FOR WINDOWS WINDOWS#It’s clearly possible – sift through the forums of Emaculation or other emulation enthusiast sites and you’ll find five-year-old boasts of people getting OSX Puma to run in Windows XP, or whatever – but documentation is sketchy and scattered even by internet standards, and replication therefore a crapshoot. I’m not the person to ask why – I’m assuming that the shift from PowerPC to Intel processors (starting with OSX 10.6, Snow Leopard), shifted the system architecture dramatically while the operating system remained relatively the same, resulting in a particular hardware/software configuration that just confuses the heck out of current setups, even through an emulator. Emulators for early Mac systems (anywhere from 1.0 to 9.x) are relatively simple to set up in OSX 10.10 (Yosemite) or 10.11 (El Capitan), likewise virtual machine software like VirtualBox (all topics for another day).īut right now the early, PowerPC versions of OSX seem to be something of an emulation/virtualization dead zone. Emulation has gotten incredibly sophisticated recently – the Internet Archive has even made it possible to run thousands of vintage MS-DOS and Windows 3.1 programs from an emulator inside your web browser, no additional downloads required, which is really an incredible feat of programming. In order to access software or digital files created for obsolete systems, the primary solutions these days are emulation and virtualization – two slightly different methods of, essentially, using software to trick a contemporary computer into mimicking the behavior and limitations of other hardware and/or operating systems. They could (and might still, if it comes to it) just bring the laptops to the site and run the software in the native environment, but that’s unideal for a couple reasons: first, I’m always somewhat hesitant for department equipment to leave campus and second, having old hardware running these old operating systems natively is something of a luxury, which our students may very well not have in the future as equipment continues to age, or if they work at an institution with shallower pockets for digital preservation. However, the students would only have access to the digital materials on-site at the partner institution for this project, and could not bring the software back to NYU. Normally, this wouldn’t present much of an issue, as MIAP’s “Old Media Lab” still has several old Power Mac G4 desktops and even a couple Macbook laptops running various early versions of Mac OSX. #VIRTUAL MAC EMULATOR FOR WINDOWS MAC OSX#Yes, as it turned out, the students were working with a piece of multimedia artwork/software that required a PowerPC version of Mac OSX (10.0 through 10.5) in order to run. Going back to the lab, I had a hint of what was coming from the whiteboard: Uh oh. A couple weeks ago Mona Jimenez asked me to step into her course on Handling Complex Media, to help a student group with a tech request (business as usual). |
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